Colored pencil on wood
May 2009
part of the Staring at Screens series

in researching this project the word “colorspace” popped into my head. I don’t know why I didn’t think of this term before in my cluster of thoughts. since I work for a digital printing company full time as a graphic designer, “colorspace” enters my vocabulary all the time in discussing CMYK, RGB and Pantone colors. Each has totally different quirks and foibles in what we see on screen vs what the design software reads (e.g. Adobe) vs what the print driver reads vs what the printer itself reads vs what we see produced. This is about how that image we see on screen, the digital eye of the machine (interpreter [screen]/producer[printer], and what we see physically, is altered in that process, particularly through digital photography: translation of images seen by the human eye into pixels, 1s and 0s, and that mutation of form and message through television, movies, and internet presences such as personal websites, image/video sharing and social networking sites. It begins and ends with The Eye. Consciousness of the Self and how it is reproduced in these media, as well as ubiquitous Unseen Eyes, digital and human, viewing, interpreting, reproducing the Self, infinitely, obscurely. In drawing and painting images produced by machines, I am attempting to reclaim natural vision. Let us take our understanding of “The Work Art in the Age of Mechanical Reproduction” a step further, or in another direction (whatever your preference), and look at our present circumstances in “The Self in the Age of Mechanical Reproduction.”

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